It feels both fresh and familiar – and faster, thanks to intelligent caching. The interface has a new, low profile design which disappears into the background, bringing the focus back to your shots. There’s even a new 16-bit in-to-out OpenEXR pipeline. Mocha HitFilm’s capabilities have been expanded to include mask tracking. We’ve added over 20 new effects and OpenFX compatibility. The editor-compositor workflow works better than ever thanks to new background proxying. If you’re looking for new particle simulator features, they’re here. It’s the fastest way to iterate and innovate. HitFilm’s unique design combines an NLE and compositor in a single interface so that switching between timelines is as easy as changing tabs in your web browser. It merges a non-linear editor with advanced 3D compositing and over 180 effects, plus mocha tracking from Imagineer and 130 plugins for your other video software.
HitFilm 3 Pro gives you everything you need to be an editor, VFX artist and colorist. As the page grew longer and longer, detailing feature after feature, vastly overtaking the equivalent HitFilm 2 webpage, I thought: yeah, this is a good one. A month or two back I was writing the ‘What’s New?’ page for the upcoming HitFilm 3 Pro website. Written by Simon Jones on 27th October 2014.